***Laura Doherty***

Dig this new CD from Laura Doherty, the Early Childhood Music Program Director at Chicago's famed Old Town School of Folk Music. Kids in the City is full of breezy urban folk tunes featuring the Natalie Merchant-like vibe of Doherty's vocals. She had musical help from Scott Besaw on drums, Amalie Smith on upright bass, Rob Newhouse on lead guitar, Susan Marques on banjo, Barb Burlingame on trumpet, Skip Landt on harmonica, and Rick Rankin on percussion and melodica, who also produced, recorded, and mixed Kids in the City.

Doherty's album is a musical tribute of sorts to The Windy City: elevators and escalators, the zoo, public transportation, the farmer’s market, traffic, and hot dog stands all get a shout out on Kids in the City. "I Spy" references Lake Michigan and taxis, "Hot Dog" celebrates sport peppers and celery salt, the a cappella "Wheels in the City" catalogs things that roll around big city sidewalks, and "El Train" is a self-explanatory tune about Chicago's famous clickety clackin' mode of transportation.

Kids in the City is full of the sights and sounds of preschoolers' lives: "I Spy" explores the colors all around us, "Farmer's Market," with its simple vocals and banjo arrangement, has fun with names of fruits and vegetables, while "Rockin' at the Zoo" catalogs the animals you might see and hear there. And check out the wonderful melodies of "Hello Hippopotamus," "I Spy," and "Kitty Cat" (which is vaguely reminiscent of The Chordettes' "Lollipop").

Doherty's album contains a couple of future kids' classics, too. "Uncle Ukulele's Band" has instruments represent members of the family, and sounds as if it could have been featured on The Muppet Show, while the very Ella Jenkins-like “Wheels in the City” is a call-and-response, a cappella tune, with overlapping melodies and vocal lines.

And Kids in the City includes two covers I’ve never heard on a children’s album before: a quiet and tender rendition of Burt Bacharach and Hal David’s “Raindrops Keep Fallin’ On My Head,” and a chooglin’ version of Robert Johnson’s “Sweet Home Chicago."

Laura Doherty's Kids in the City is a great example of modern urban folk. Now I gotta go get a Chicago dog and a chocolate malt.

***Shāna Barry***

Somewhere between Kimya Dawson's wordy stream-of-consciousness songs and Nick Drake's whispery dream fever tunes lies Shāna Barry's first album for kids, A Pink Whale and a Very Tall Tree.

The Frances England-sounding eight-song EP contains a group of very visual songs: close your eyes and let the lyrics tell you stories about the special secret island of fōf, described in great detail on "Around the Island" and "The Great Mystery;" and about the adventures of a curious fōfer named Otamo who encounters and befriends "The Pink Whale" named Guinivere and climbs a very tall tree to "Cloudland."

Like any normal kid, Otamo loves to talk about "The Day I Learned to Ride My Bike," but then gets philosophical with "Some are Green," an ode to diversity and acceptance. The short album is rounded off with a lullaby and an instrumental. Barry performs the songs with just her voice and guitar, and an occasional ukulele. The stark musical background is a perfect palate for lines like "I hop from rock to rock and peer into tide pools," and "The rogue wave passed us by," and "Who wants a humdrum earth when it can be vibrant and grand," and words like chicory, anemones, cumulonimbus, and centripetal.

A beautiful, quiet, mysterious album that honors kids by challenging their perceptions and vocabularies. Kudos to Shāna Barry.

***Dano***

With only his overdubbed acoustic guitars, some light percussion, a little bass guitar, and lots of harmonies, Dano (aka Dan Scot Parr) creates his self-titled kids' debut, an album full of catchy, quiet, melodic, funny tunes about space men, cats, dreams, and the lost city of Atlantis.

Dan Parr is a teacher, musician, and songwriter from the Dallas/Ft. Worth area who released two CDs in the past for grownups, 2002's It Seems, and 2004's Dan Scot Parr, and then decided to give the kids' music route a try. Dano boats 13 tracks of acoustic Americana for families, plus cover art by Jeffrey Miranda that's a little reminiscent of Jose Feliciano's 1968 album Feliciano!

The obvious "hit single" on Dano is "Groovy Spacemen," a wistful pop tune about singing, dancing intergalactic visitors. Check out the ingenious wordplay of "The Animal Cliche Song," and the inevitable sing-along classic "Ugly Toes." Parr's melodic sense is particularly evident on the tuneful coda of the dream saga "Weird Purple Birds," and on the scat breakdown of "Big Daddio." And just right for quiet time are the laid-back grooves of "The Islands," the little bit McCartney-little bit Nilsson-inspired "Back Porch Symphony," and the lullaby "Lovely Dreams."

If you like the breezy pop of The Terrible Twos, you'll dig Dan Parr's children's music debut, Dano. And if you're in the east Texas area, try to check out Parr's intriguingly titled children's program, "Tall Tales, Silly Stories and Memorable Melodies: Using Songs to Teach Life's Lessons."